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SDG
Precious Lord take my hand, lead me on, let me stand. Also known from Elvis Presley.
SDG
0:43 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Bass Bass 12 0 2 3 45%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Bass Bass 12 0 2 3 45%
 
Glorify Thy Name. Arrangement: Gertim (SDG)
SDG
2:13 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Bass 17 0 2 5 100%
Alto Treble 4 0 0 1 8%
 
Wilhelmus van Nassouwe. Dutch national anthem. Nederlands volkslied. 2nd oldest national anthem in the world.
SDG
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 0 4 100%
Treble 11 0 0 4 100%
View all 20 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 0 4 100%
Treble 11 0 0 4 100%
Bass 14 0 1 4 100%
Bass 14 0 1 4 100%
Organ Treble 11 0 0 4 100%
Bass 9 0 1 4 50%
Bass 14 0 1 4 100%
C
Trumpet		 Treble 9 0 0 4 100%
English
Horn		 Treble 9 0 0 4 100%
Flute Treble 9 0 0 4 100%
Oboe Treble 9 0 0 4 100%
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 14 0 1 4 100%
Violin Treble 9 0 0 4 100%
Contrabass Bass 9 0 1 4 50%
Viola 7 0 0 4 50%
Violoncello Bass 9 0 1 4 50%
Soprano Treble 2 0 0 1 10%
Treble 2 0 0 1 10%
Treble 2 0 0 1 10%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
Precious Lord take my hand
SDG
0:44 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Violoncello Bass 9 0 1 4 100%
Contrabass Bass 10 0 2 3 50%
Bass Bass 12 0 2 3 45%
 
"Wo soll ich fliehen hin?" (BWV 5, #1)
SDG
3:53 Est. Play
Time
78 Measures
2,824Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpischord.
Thanks
to
Michel
Rondeau!
He
made
the
realization

and
put
it
on
IMSLP
under
Creative
Common
license.

 Treble 22 25 7 6 99%
Bass 25 0 9 3 100%
Continuo Bass 25 0 9 3 100%
Contrabass Bass 25 0 9 3 100%
Oboe
I.		 Treble 24 0 8 5 100%
Oboe
II.		 Treble 22 0 8 4 100%
Violino
I		 Treble 25 0 8 5 100%
Violino
II.		 Treble 21 0 7 5 100%
Viola 18 0 5 4 97%
Alto 13 0 4 6 42%
Tenore 13 0 4 5 40%
Basso Bass 20 0 6 4 37%
Soprano 6 0 0 2 37%
Tromba
da
tirarsi col
soprano		 6 0 0 2 37%
 
Paschal Lamb, by God appointed, Hyfrydol, Bakewell, Prichard. Come thou long expected Jesus.
SDG
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Bass 14 0 1 5 100%
T B Treble 10 0 1 5 100%
Bass Bass 5 0 0 2 11%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Bass 14 0 1 5 100%
T B Treble 10 0 1 5 100%
Bass Bass 5 0 0 2 11%
 
259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.
SDG
2:10 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 18 0 5 2 100%
Horn
in
F		 Treble 16 0 5 7 100%
Violoncello Bass 18 0 5 2 100%
Timpani Bass 2 0 0 4 76%
Soprano/Alto Treble 9 0 2 3 63%
Tenor/Bass Bass 17 0 2 4 63%
Flute Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Oboe Treble 7 0 1 3 55%
Treble 7 0 1 3 55%
Violin Treble 6 0 1 2 35%
Treble 7 0 1 3 55%
Soprano Treble 7 0 1 3 55%
Viola 7 0 1 4 55%
 
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).
SDG
0:52 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 23 0 5 4 100%
Soprano Treble 1 0 0 1 5%
 
309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.
SDG
0:54 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 18 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 18 0 5 5 100%
Contrabass Bass 13 0 2 5 50%
Bass Bass 3 0 0 2 6%
 
42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
Contrabass Bass 17 0 4 5 46%
Alto Treble 3 0 0 2 6%
 
52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach
SDG
0:41 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 13 0 1 5 50%
Tenor Treble 3 0 0 2 8%